When the others returned from lunch, we had already filmed the wide shots of the dancers, and were about to move on to the MCU's and ECU's. At this point Ian and Will took over whilst Nico and I and the rest of the crew had lunch. We were starting to feel pressured by this point, as we only had the dancers until 2:30pm. However, we ploughed through this section and caught up on any time we may have lost through the change-over from light to dark.
Problems we had with the filming in UltraViolet, is that there is almost no light so we had to use gain on the camera to pick up the actors, who were just outlines on usual settings. Image Below. Also we had ordered UV sensitive Contact lenses along with the paint, but you couldn't really tell under the camera.
Next we shot the band in wide and in MCU, ECU, individually and took any detail shots at the end, such as the Discoball with lasers on it, and foot-stamping to the beat.
Problems we had with the filming in UltraViolet, is that there is almost no light so we had to use gain on the camera to pick up the actors, who were just outlines on usual settings. Image Below. Also we had ordered UV sensitive Contact lenses along with the paint, but you couldn't really tell under the camera.
Next we shot the band in wide and in MCU, ECU, individually and took any detail shots at the end, such as the Discoball with lasers on it, and foot-stamping to the beat.
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